Somdej Pim Taewada Hak Sork Pim Yai Ongk Kroo 2 Takrut Master Class Amulet Luang Phu Nak 2485 BE

SKU 04070
$ 220.00
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A Pristine Exhibit, of the Pra Somdej Pim Yai Taewada Hak Sork Ongk Kroo Takrut Sorng Dork (Pim Niyom) 2485 BE, Large size 'Pim Yai Ongk Kroo' model, with Double Takrut spells inserted into the base. 'Nuea Jad' - A highly preferred model of various Pim of Pra Somdej amulets released in the 2485 BE Edition by the great Luang Phu Nak of Wat Rakang Kositaram. This Ongk Kroo model is large measuring 5 x 3.5 Cm. This amulet is large, and so please note; if you decide to take custom gold casing, the cost of the case will be relatively expensive due to the large size and thickness of the amulet.

An authentic Ancient and Sacred amulet from Luang Phu Nak, one of the Great Abbots of Wat Rakang Kositaram temple. Luang Phu Nak used more old Pra Somdej amulets from LP Dto Prohmrangsri than any other of the Pra Somdej amulet makers of Wat Rakang History of all time. The Pra Somdej Pim Taewada Hak Sork Pim Yai Takrut Koo is a top Pim Niyom (preferred class) amulet of the 2485 BE First Edition Pantheon, and indeed of all editions. This exhibit is 'Nuea Jad' dry and hardened type clay, and is an extremely attractive exhibit for these features.

It is said that the Pim Taewada runs equal in popularity to the world famous Wat Bang Khun Prohm 2509 BE Amulets. The features are pristinely preserved without breakage or chipping, with highly defined clear cut detailed relief, making this a truly desirable acquisition for collectors and devotees of the amulets of Luang Phu Nak, whose characteristics possess all of the major criteria for a Pim Niyom Class amulet. The elongated angled ears, the oblique sharp elbows, and the 'Nuea Gern' (extra clay overflow) on the third step of the dais on which the Buddha is seated, all show the authentic traits of a preferred mold block press Pim Niyom Song Taewada Luang Phu Nak 2485 BE Master Class amulet.

Below; Two Takrut are inserted into the base of this Ongk Kroo Pim Niyom amulet

The 2485 BE edition is highly Favoured for its powerful Muan Sarn Sacred Powders and Blessings, and is recommendable amulet for devotees. as a Top Class amulet of high Pedigree. Luang Phu Nak is known to have released editions in the years 2499, 2500, 2504, 2507 and 2509 BE and his final edition Sae Yid 7 Rorb of 2511 BE, as well as releasing editions at other temples. These amulets are the perfect and best second choice to the Pra Somdej Wat Rakang amulets made by Somdej Dto Prohmrangsri which have now become either unavailable, or too expensive to even consider renting. The Pra Somdej Pim Taewada is recognisable for the elongated angled elbows (Hak Sork), and the pointed elongated angled ears (Pra Gan) of the Buddha Image, which is inded what the words 'Hoo Dting' mean.

This series was released in the year 2485 BE, and is a Classic Pim Niyom Model, amongst the most highly preferred by aficionados and devotees of the amulets of Luang Phu Nak and Wat Rakang Kositaram. The Pra Somdej Luang Phu Nak were made without Takrut, as well as with Takrut, sometimes 1, sometimes 2 and on rare occasions 3 Takrut were inserted into the base of some amulets. Those amulets which possess Takrut inserts are the most highly favoure, and of course, also the rarest and most highly priced.


Luang Phu Nak's first edition of amulets was made in 2485 BE along with the Pra Somdej Song Taewada Ok Dtan, and Pra Somdej Song Taewada Ok Rong, the Pra Somdej Sam Liam (triangle shape), various Metal Coins, and the Pra Somdej Dto Nang Borigam models. The Pra Somdej amulets made by Luang Phu Nak contained a massive quantity of crushed up Pra Somdej amulets made by Somdej Dto Prohmrangsri of Wat Rakang, which Luang Phu Nak had collected over the years, from Looksit who brought their broken amulets to return to the Temple, as well as a sackful he found in the roof of the Prayer Room ('Bote' in Thai). They are thus the second choice of those wishing to posess the magic of Pra Somdej Wat Rakang LP Dto Prohmrangsri.

Luang Phu Nak Wat Rakang Kositaram

Luang Phu Nak believed that the Pra Somdej amulets made by Somdej Dto had inimitable magical qualities and special power within the Muan Sarn (sacred powder used to make the amulets), and because of the meditative power of Somdej Dto who blessed them.

Therefore apart from being made by one of Thailands great gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture, rendering them powerful through the incantations and Yantra Inscriptions of Somdej Pra Puttajarn (Dto) Prohmrangsri himself, through transmission of Muan Sarn Sacred Powders.

The first edition contained an extremely high quantity of Pra Somdej Wat Rakang, and is the most highly regarded, and now also rarest edition of amulets in the pantheon. The amulets of Luang Phu Nak began to disappear somewhere around the years 2000 - 2005. This happened as collectors from around South-East asia and the Western world began to collect them as a second choice to the now completely out of reach Pra Somdej Wat Rakang Kositaram of Somdej Pra Puttajarn (Dto) Prohmrangsri. These days, it is extremely rare to encounter such a pristine exhibit of the first edition for rental (purchase).

We would say that Luang Phu Nak's amulets are perhaps the most highly sought after in the present Era by those devotees of Somdej Pra Puttajarn (Dto) Prohmrangsri and Wat Rakang Kositaram, because they are 'the next best thing' to a Priceless Pra Somdej Wat Rakang Kositaram Somdej Pra Puttajarn (Dto) Prohmrangsri amulet. Amongst the other amulets which are sought after by the devotee of this lineage, are those of Luang Phu Hin, Jao Khun Tiang, both being Masters of the Wat Rakang Kositaram lineage, and who all have made amulets in conjunction with each other, and joined together in blessing ceremonies at Wat Rakang Kositaram.

But the amulets of Luang Phu Nak tend to be more popular in the present era, mainly because they are still a little bit easier to find than the amulets of Luang Phu Hin, or the early editions of Jao Khun Tiang, which are rarer to find (but less expensive). The great Luang Ta Pan may also be worthy of Mention, although his fame came from making amulets at Wat Bang Khun Prohm, which is also one of the top amulet temples of the Somdej Pra Puttajarn (Dto) Prohmrangsri lineage, and which are mostly also collected by devotees of Wat Rakang Kositaram. In Thai, we call this 'Dtragun Diawgan' which means 'same family tree'.


In our opinion, the only main difference between this amulet and an original Somdej Dto is the price, and the face that the Somdej Dto amulets are perhaps more of something to brag about, which is not really the intended reason for owning an amulet. Sacred Thai Amulets are intended primarily as Puttanussadti (remembrance and respect to the Buddha), especially Pra Somdej. Of course anybody would wish to own a Pra Somdej of the great Somdej Pra Puttajarn (Dto) Prohmrangsri, for his legendary Powers and Attainments, but realistically speaking, most people should look to something more affordable of similar calibre, for which the Pra Somdej Wat Rakang Kositaram Luang Phu Nak is a perfect recommendation.

The rear face is smooth to touch and shows authenticity through its dryness and the signs of aging when examined using the criteria used by experts for authentication of sacred ancient amulets. This exhibit has a very crisp and clear relief with dry surface, and is highly defined, which is referred to in the special vocabulary of the amulet community as 'Nuea Jad' meaning 'highly defined with hardened density'. The other main kind of texture found in amulets of Luang Phu Nak, and indeed Wat Rakang Kositaram temple in General is 'Nuea Graeng', which is a more marble-like domino-dense admixture which despite dryness, tends to have a shiny 'wet-look' to it.

Luang Phu Nak

Therefore apart from being made by one of Thailands great Gaeji Ajarn, and being an authentic ancient Wat Rakang Amulet, it is also Sacred for the fact that it contaiins original Somdej Dto Wat Rakang Amulets in the Sacred Powder mixture too.

This also makes complete sense, with Luang Phu Nak being a subsequent Gaeji Ajarn of Wat Rakang Kositaram, and a Looksit of Somdej Pra Puttajarn (Dto) Prohmrangsri.

Luang Phu Nak's amulets are of great popularity because they are a great alternative to the original and extremely expensive Somdej Dto amulets, and are considered to be powerful and sacred through their use of the broken amulets and powders of Somdej Pra Puttajarn (Dto) Prohmrangsri, and the blessings of Luang Phu Nak.

Recent years saw great fervour in the collector scene and the international scene, which has caused the amulets of Luang Phu Nak to go from rare, to become extreme rarities. They are no longer easily found, and their numbers have dwindled to become highly noticeable.

This has merely served to increase the fervour, and the very last amulets are now fast disappearing from the amulet scene, as they are snapped up and kept by their owners. If there was a time to hurry for amulets from this Master, the time is Now.


Below; Close up of the dry dense hardened aged Muan Sarn Sacred Powders under the lens


The chances of owning an amulet like this are becoming less and less in recent years, and soon it will be practically impossible to obtain authentic old Wat Rakang amulets. There are ever more collectors and ever less amulets on the market, and there is no higher esteemed amulet than the Pra Somdej Wat Rakang Kositaram family. The amulets were made using the following ingredients

Powder from the chalk sticks used in the making of Pong Saksit (sacred powder for amulet making), Rice fragments kept by Luang Por Dto, the 5 Sacred Powders of; 1. Pong Putta Kun, 2. Pong Bpatamang, 3. Pong Trinisinghae, 4. Pong Maha Rach, 5. Pong Itti Jae Powder


The chalks used in the making of the Bpatamang, Trinisinghe Maharach and Itijae powders were mixed with sacred water that squeezed from the leaves of seven kinds of Thai plant including Bai Tamlueng , Yord Sawad, Yod Ga Hlong, Yod Raksorn,Chaiyapruek, Rachapreuk and Dork Mali (jasmine).

Luang Phu Nak Wat Rakang Kositaram


All of the ingredients of the Wat Rakang amulets were mixed with;

Nuea Pong (powder substances), Klee Saema (broken pieces of temple wall stones, Gaesorn Sut Bongot (pollen from the Bongot lotus flower), Kluay Nam Tai (a kind of Thai banana) mixed with sap from the rubber tree (Yang Madtum), Plueak Hoy (white clam shells), Nam Man Jantr (jasmine oil), Nam Man Dtang Iw (aromatic resinous oil used to congeal and cement the amulet mix with).

One hundred and eight kinds of flowers collected by LP Dto Prohmrangsri, Sacred powders and pollens (Pong Saksit), Pong Bpatamang - Klaew Klaad Kong Grapan, (protection from injury and accidents), Pong Puttakun - for great charm and avoid danger (Maha Sanaeh and Klaew Klaad magic), Pong Tri Ni Singhe - attractiveness...., Pong Maha Rach - power and respect.......

Pong Itijae Powder - Metta Mahaniyom - this increases the likability of the wearer of this magic, Sacred Flowers and magical plants, Dork Sawad - Metta Mahaniyom, Sanaeh, Dork Gahlong - love charm., Dork Raksorn - love and metta, Dork Ga Fag Rak - love and attraction charm...., Dork Chayapruek - power and protection from danger, Dork Rachapruek - Amnaj and Klaew Klaad (commanding power and avoid accidents), Dork Waanangkurm -Kong Grapan Klaew Klaad, Dork Waan - Klaew Klaad, Dork Waan Sanah Junkhao - charm and protection from danger.......

Dork Wan Sanah Jundum - charm and protection from danger, Dork Wan Sanah Jundang - charm and protection from danger, Dork Wannangkuak - charm, Waan Pra Buddha Jaoluang - charm and protection from danger, Bai Plu Ruam Jai - charm, Bai Plu Song Tang - charm and protection from danger, Pong Gaesorn Ha Bua - five lotus pollens, Kesorn 108 - charm and protection from danger



Use the Traditional Thai Buddhist Method for Bucha;

1. Chant Maha Namasakara (3 Times)

2. Chant the Trai Soranakom (3 Times)

3. Chant Kata Aaraatanaa Pra Krueang (3 Times)

Kata Maha Namasakara

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa

Namo Dtat-Sa Pakawa-Dto Araha-Dto Sam-Maa Sam-Put-Dtat-Sa


Trai Soranakom

Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Tudtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Puttang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Tammang Cheewidtang Yaawa Nipaanang Saranang Kajchaami

Dtadtiyambpi Sangkang Cheewidtang Yaawa Nipaanang Saranang Kajchaami


Kata Aaraatana Pra Krueang

Puttang Aaraatanaanang

Tammang Aaraatanaanang

Sangkang Aaraatanaanang

Puttang Prasittimae

Tammang Prasittimae

Sangkang Prasittimae

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